Despite a longstanding tradition of using
horror films to tackle social issues involving race, among other things, in films
like White Zombie (1932), The Night of the Living Dead (1968), Candyman
(1992), or The People Under the Stairs (1991), the genre simultaneously
often been criticized for the way in which it handles the representation of
minority groups. This was the source of comedy in last year’s satirical
slasher, The Blackening, which played with the tropes of the genre and its
treatment of black characters. Gotcha! is also a slasher with an
all-black cast, though it approaches the narrative in a straightforward manner
rather than poking fun at the genre’s historical shortcomings.