Within the home invasion sub-genre, it has
become something of a trope to use a victim with an impairment. This was
established early on with the blind protagonists in Wait Until Dark (1967)
and See No Evil (1971) and has continued with the recent wave of home
invasion films including Mischief Night (2013) and Blind (2019).
Mike Flanagan also provided a variation on the trope with the hearing-impaired
victim of Hush (2016). Often these impairments are a new reality for the
protagonist, and the efforts to evade and fight back against the intruders of
the home invasion narrative provide opportunity for renewed confidence. Canadian
home invasion thriller See For Me predictably follows this formula,
though it does so with a few new twists.