Barbarians
plays with audience expectations established by countless home invasion
narratives of recent past. There are several different approaches to the horror
sub-genre, and tropes that have developed from their repeated use. The
filmmakers of Barbarians seem to realize this and utilize tropes from two
different approaches in order to keep the audience guessing. The use of MacGuffins
helps disguise the true motivation of the invaders but may also leave some
audience members disappointed that the threat alluded to is nothing more than a
distraction.
Barbarians
begins with social media posts and background information about the property which
is the setting of the invasion later in the film. Through the posts made by social
media influencer Lucas (Tom Cullen), we learn about the property containing an
artifact known as the Gaeta Stone, and his intentions to turn the land around it
into a housing community. Lucas owns the land after a controversial court case
with the original owners and has agreed to sell the existing house to his
filmmaker friend Adam (Iwan Rheon) and Adam’s artist girlfriend, Eva (Catalina
Sandino Moreno). Even though Adam and Lucas claim to be friends, there is an
unhealthy and combative dynamic between them, which escalates over the course
of the evening. This proves to be one of the many misdirections.
Lucas drives to visit the remote
country home on Adam’s birthday with his girlfriend Chloe (Inès Spiridonov),
with plans to sign over the deed, until an unexpected home invasion interrupts their
evening. Three masked intruders enter with weapons and terrorize the two
couples, though they remain silent, keeping their motivations secret. This is
another often used trope of home invasion films, with movies like The Strangers
or Funny Games never revealing the motivations of the intruders. While Barbarians
does eventually give reason for the acts of terror and violence, they are
somewhat obvious and uninspired, aligning the film with themes found in many
home invasion films that were released shortly after the housing bubble burst
in 2008.
Because Barbarians throws so
many ideas at the audience in an attempt to keep them guessing, it results in a
narrative with many loose threads and underdeveloped plot points. This is the
trade off for the surprise twist, which is still fairly predictable. As a
result, the story in Barbarians feels scattered and lacks the focus necessary
to make any of the ideas work. In other words, Barbarians tries to do
too much and ends up feeling disappointing in its failure to follow through on
a majority of the initial promises.
Entertainment Value:
7/10
Quality of
Filmmaking: 6/10
Historical
Significance: 5/10
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