- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Media Format : Widescreen, 4K
- Run time : 1 hour and 48 minutes
- Release date : January 5, 2021
- Actors : Dylan O'Brien, Michael Rooker, Ariana Greenblatt
- Studio : PARAMOUNT
- Number of discs : 2
You might think that a film about an
apocalypse which forces all of humanity underground would be relatable during
the current pandemic, but Love and Monsters has themes that ultimately
feel tone deaf. Fortunately, this is not the type of film that demands deep
analysis. Even if the message of getting out in the world and taking some risks
doesn’t perfectly align with the current climate, we can all use this type of
escapist entertainment. Derivative and predictable as it may be, Love and
Monsters is an easy view during a time when everything seems more difficult
than it should be.
The film provides
information on the apocalypse with voiceover narration and crudely drawn
animation, setting up the tongue-and-cheek nature of the film. The fact that
the voiceover is provided by a scrawny but intelligent young man makes comparisons
to Zombieland inevitable, but with nearly all of the edgy humor and gory
violence removed. What the film does have is a creative collection of monsters,
though they are never outright scary.
Even though the
world is overrun by mutated animals and insects, Joel (Dylan O’Brien) isn’t
content to stay hidden underground. To make matters worse, each of the members
of his small community has paired off into relationships, reminding him of the
girl he left behind when the apocalypse began. After discovering his former
girlfriend Aimee (Jessica Henwick) is in a community 85 miles away, Joel decides
to risk the dangers of the surface to get back to her. Even though Joel isn’t
the most adept at survival, he is helped out by a pair of survivors on the
surface (Michael Rooker and Ariana Greenblatt), along with a dog that seems extraordinarily
intelligent (as well as being the only animal seemingly unaffected by the
apocalypse).
The film is light
on plot and heavy on creature sequences. It plays like a much lighter and
condensed season of “The Walking Dead,” with some of the humans being just as
dangerous as the monsters roaming the world. The same proves true of the
creatures, and the film takes a lot of joy in introducing new ones throughout
the run-time. These base pleasures are not enough to give the film lasting significance
after it has finished, but helps with the diversionary entertainment one is
likely looking for from a film with such a campy title.
The 4K release
of Love and Monsters is actually quite significant giving the high level
of spectacle and CGI effects to be enhanced. At the same time, I struggled with
the darkness and the motion blur. I adjusted it several times, but could find
no acceptable alteration. Ultimately, I found myself longing for less clarity
and a more traditional playback. The tradeoff for these motion issues is a
spectacular depth of color.
The Ultra HD
release of Love and Monsters also comes with a Blu-ray disc, as well as
a code for a digital copy of the film. The 4K disc only contains the film, but
the Blu-ray also has an assortment of special features. Along with a handful of
deleted scenes, there are two featurettes about the making of the film. The
first is focused on the cast, while the second is about the production design
and world-building.
Entertainment Value:
8/10
Quality of
Filmmaking: 6.5/10
Historical
Significance: 3/10
Special Features: 5/10
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