- Director : Teng Cheng, Wei Li
- Actors : Zheng Xi, Yang Ning, Tute Hameng
- Media Format : Dolby, Surround Sound, Widescreen
- Run time : 1 hour and 50 minutes
- Aspect Ratio : 2.35:1
- MPAA rating : (Not Rated)
- Subtitles: : English, Mandarin Chinese
- Language : Mandarin Chinese (DTS 5.1), English (DTS 5.1)
- Studio : Well Go Usa
- Release date : February 9, 2021
Prior to the release of Ne Zha, I had
little experience with Chinese animation, more familiar with the more commonly
distributed Japanese and French variety. Ne Zha was distinctly Chinese
in the adaption of a classic folk legend, but it was also widely distributed
with broad appeal. It also follows the recently popular trend of Hollywood, creating
a shared cinematic universe for a series of animated films, with the second being
Jiang Ziya.
Initially I was under
the impression that Jiang Ziya was a direct sequel to Ne Zha, but
it is merely the second installment in the Fengshen Cinematic Universe, which
all seem to involve gods living amongst mortals on earth. Like Ne Zha, Jiang
Ziya is a character taken from the 16th century Chinese classic novel, "Feng
Shen Yan Yi." Ziya is fictionalized as a god in this film, but he is based
on a real historical figure who helped overthrow the emperor of the Shang
dynasty.
We join Jiang
Ziya as a fallen god, having failed in an effort to dispatch Nine Tail, an evil
fox spirit that has an innocent maiden in her clutches. Su Daji is intertwined
with Nine Tail, and Ziya sets out on a mission to separate them and save Daji. More
important to him than his deity is the innocent life that he feels responsible
for failing. The plot of the film is surprisingly esoteric (though I suppose
the same could be said of Pixar’s Soul), slowing the pace down from Ne
Zha. There are plenty of cutesy moments along the way, but there is a
higher regard for realism in many of the sequences. Some of this has to do with
plot, but the animation has also stepped up the quality.
There are
multiple ways in which the animation seems to have matured since Ne Zha.
Shifting the focus away from the comedic often allows for the film to be
grounded a bit more. It goes beyond simply being more realistic, however. The
animation in this film is simply beautiful, to the point that I would go so far
as to call it poetic. Even the moments of the film where I was less than
invested in the story, I found myself still captivated by the images onscreen. Regardless
of narrative direction, Chinese animation looks to be heading in a positive direction.
The Blu-ray disc
is the way to go when choosing a viewing method, if only to fully appreciate
the high-definition presentation of these spectacular images. If you can see it
in 4K, I would recommend that as well. Unfortunately, the higher quality is all
that the Blu-ray disc has going for it, containing no special features to speak
of. The post-credit scenes do contain a brief appearance by Ne Zha though, which
is about as enjoyable as you might imagine.
Entertainment Value:
6.5/10
Quality of
Filmmaking: 8/10
Historical
Significance: 7/10
Special Features: 0/10
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