- Director : Jacob Chase
- Writers : Jacob Chase
- Producers : Andrew Rona, Alex Heineman
- Actors : Gillian Jacobs, John Gallagher, Jr., Azhy Robertson, Winslow Fegley
- Media Format : Digital_copy, NTSC, Subtitled
- Subtitles: : French Canadian, Spanish
- Language : English (DTS-HD Master Audio 5.1), French Canadian (DTS 5.1), Spanish (DTS 5.1)
- Studio : Universal Pictures Home Entertainment
- Aspect Ratio : 2.39:1
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Run time : 1 hour and 37 minutes
- Release date : January 26, 2021
- Number of discs : 1
Prior to the
pandemic, there were a few rising trends in the themes of American horror
films. Along with the rise in occult and witchcraft narratives, we saw an
increased anxiety over society’s dependence on technology and social media. Some
of these films involve the supernatural, as seems to be the case in the Unfriended
franchise, or an addition to the previously mentioned witchcraft subgenre, like
Friend Request. Even the supernatural serial killer doll Chucky was
reinvented as a smart device with disabled safety features. The terror comes
from social media, apps (Countdown), or in the case of Come Play,
the devices themselves.
The basic premise of Come Play feels
like a studio attempt to imitate the magic of independent horror darling, The
Babadook, with technological updates and a horror villain that is more
creature than supernatural presence. Because a young autistic boy named Oliver
(Azhy Robertson) struggles to make friends, he relies on screens for any social
interaction he does have. And that is also where he is approached by Larry, a
creature from another world that is able to use technology to cross over and
make friends. Thankfully this is not one of those horror narratives where
nobody but the protagonist is aware of the monster’s existence, and Oliver’s
mother (Gillian Jacobs) becomes his greatest defender fairly early in the film.
His father (John Gallagher Jr.) is less accepting of this disturbing reality,
though this is primarily to provide conflict in an already dissolving marriage.
While the
creature of Larry is designed to maximize the creepiness of many sequences, he
feels like something that belongs in A Quiet Place rather than a
supernatural horror film. It doesn’t quite mesh with the other elements of the
films, ultimately making Come Play feel somewhat disjointed, despite the
creepiness of individual sequences. The larger issue, however, may be the shift
that has occurred in society since the pandemic. We may have had concerns about
society’s dependency on technology to the neglect of human interaction, but now
I think we are all just glad to have any form of interaction. Simply put, the
fears represented in this film had different relevance in 2017, when the short
film it is based on was made.
The Blu-ray
release of Come Play also comes with a digital copy. There aren’t any
special features on the disc itself.
Entertainment Value:
6.5/10
Quality of
Filmmaking: 6/10
Historical
Significance: 2/10
Special Features: 2/10
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