- Actors: Daniel Kaluuya, Jodie Turner-Smith, Bokeem Woodbine, Chloe Sevigny, Flea
- Directors: Melina Matsoukas
- Writers: Lena Waithe
- Producers: Melina Matsoukas, James Frey, Lena Waithe, Michelle Knudsen, Andrew C. Coles
- Format: 4K, NTSC, Subtitled
- Language: Spanish (Dolby Digital 5.1)
- Subtitles: Spanish
- Subtitles for the Hearing Impaired: English
- Region: Region A/1 (Read more about DVD/Blu-ray formats.)
- Aspect Ratio: 2.39:1
- Number of discs: 2
- Rated: R
- Studio: Universal Pictures Home Entertainment
- DVD Release Date: March 3, 2020
- Run Time: 133 minutes
Queen
& Slim is one of those films that seems like a dream project, featuring
the visuals of a Grammy-winning director and a screenplay from an Emmy-winning
writer. And at times it meets the expectations of such talent, even boasting a
cast that is more than capable of making the material (and the moments in-between)
come alive. Other times, it feels like a wasted opportunity, not because the
dialogue, acting, or visuals fail, but because some of the base story points
lack the same subtlety. If you are able to look past the contrivances of the
plot, there is a great movie here. At the same time, it also feels like a lot
of talent was wasted on a project that never feels fully cohesive.
At its center, Queen & Slim is Bonnie and Clyde for the ‘Black Lives Matter’ era, and this is
clear within the first seven minutes of the 132-minute run-time. After a
slightly combative first date between two very different people, Slim (Daniel
Kaluuya) and Queen (Jodie Turner-Smith) are pulled over by a police officer.
When the stop escalates unnecessarily, Queen tries to intervene, having
experience as a lawyer. Despite his passive attitude, Slim responds when Queen’s
pleas are met with gunfire, and the brief conflict ends with a dead police
officer. Seeing no way out of the trouble, the pair decides to run together.
This early
sequence is far from unfamiliar, in the news or onscreen, and at this point it
has almost reached the level of being a cinematic cliché in its overuse. What
saves this contrived sequence from ruining the movie is the performances by the
leads, and the effectiveness of the dialogue in the intimate moments between
the obligatory conflict-filled ones. Lena Waithe won an Emmy for writing raw
and honest dialogue dealing with social commentary (about sexuality as well as
race), and the moments the script is more interested in the characters sharing
their thoughts than plot development are also the moments the movie shines.
Unfortunately, the film also feels bloated with director Melina Matsoukas
music-video style.
Don’t get me
wrong; I give Matsoukas credit for the beautiful look of the movie, as well as
the effective chemistry between all actors onscreen. But there is about
90-minutes of plot, and at least 40-minutes of a mix-tape music video of
footage that would have served the story better on the cutting room floor. What
little score that is allowed to come through between samples of obscure hip-hop
and classic R&B is actually quite effective, but the film is more
interested in building a strong soundtrack instead. If the playlist was cut in
half, it would make for a better (and shorter) film.
Director
Matsoukas is likely best known for directing Beyoncé music videos (including a
segment of Lemonade), but she also
directed the episode of ‘Master of None’ that Waithe won her Emmy for, as well
as several episodes of “Insecure.” It actually makes sense to look at both of
these career choices, because Queen &
Slim often feels like a combination of the two. It has strong visuals
throughout (if a bit dark in places), and often feels almost episodic in
nature. The pacing also feels less rushed than most movies, and more like
modern television. But what really saves the film is the chemistry between the
lead characters, who have very different life outlooks until they bond through
the difficulties of life on the run. The path of the film may be laid out in a
predictable manner, but the actors make us feel as though it is occurring in
real time, more through the urgency and rawness of their performances than any
modern relevance.
The 4K release
of Queen & Slim certainly
enhances some of the visual aspects, though that is not always a good thing.
With the deeper blacks, some of the scenes can be difficult to see, though the
cinematography is never less than beautiful. It is simply an easier film to
make out in the daytime sequences, which also have a darker tint to lend the
visuals to a 70s Blaxploitation style. My main suggestion would be to watch the
film at night or in a dark room, to better capture the strength of the
cinematography and how the 4K disc is able to enhance that.
The combo pack
also comes with a Blu-ray disc and a code for a digital copy. The special
features on the disc itself include four featurettes (mostly just promotional
self-flattery), and a commentary track with Matsoukas and Waithe. The 4K disc
has the featurettes in 4K resolution as well.
Entertainment Value:
7/10
Quality of
Filmmaking: 7.5/10
Historical
Significance: 6/10
Special Features: 6/10
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