- Actors: Athena Chu, Louis Cheung, Bob Cheung
- Directors: Mak Ho Pong, Derrick Tao
- Disc Format: Dolby, Subtitled, Surround Sound, Widescreen
- Language: Cantonese (DTS 5.1)
- Subtitles: English
- Region: Region A/1
- Aspect Ratio: 2.35:1
- Number of discs: 1
- Rated: NR
- Studio: Well Go Usa
- Release Date: October 15, 2019
- Run Time: 86 minutes
There are a lot of things that don’t make
sense in The Lingering, and that
includes the basic premise of the film. What sounds like a generic haunted
house narrative is complicated by the fact that ghosts and zombies are censored
from art by the Chinese government. This explains the careful language
describing the supernatural element as a “strange and dangerous presence”
rather than a ghost or haunting, but this film still might now have been made
if it weren’t for a bit of ambiguity and a shovelful of propaganda mixed in
with the melodrama that inevitably replaces the horror.
The film begins
with a prologue sequence in which a young boy named Dawa waits for his father’s
return home from work one Chinese New Year with his mother. After an accident
occurs, Dawa’s father never returns and is blamed for the death of several
co-workers. That night Dawa and his mother are terrorized by a ‘presence’
(never explicitly referred to as a ghost), but it eventually leaves them alone.
Thirty years later, Dawa (Louis Cheung) is a successful chef on the verge of
turning his business into a chain of restaurants, living with his beautiful
girlfriend Lily (Tong Yao) in the city. When he receives a phone call informing
him that his mother’s body has been found in a river, Dawa must return home for
the first time in far too long.
In a lot of
ways, The Lingering is The Sixth Sense of Chinese horror
movies, in that there is a rational and un-frightening explanation for most of
the terror. Unfortunately, this explanation is so incoherently conveyed that it
took more analysis than is desirable just to figure out what had happened.
Amidst this convoluted explanation for the supernatural events are some
sincerely frightening scenes, mostly due to the confusion and chaos surrounding
them. For a country that has banned ghosts, they make a pretty decent
‘presence’ film.
Convoluted as
the horror is, as transparent as the propaganda elements are, and as convenient
as the resolution is, The Lingering
is competently made despite its shortcomings. It is well shot and the actors
give emotional performances, especially when the film slips away from the
horror territory. Even the effects for the non-ghost ghosts are solid, though
rarely used to the degree Western audiences might expect.
The Blu-ray
release of The Lingering is somewhat
unnecessary, especially given the complete lack of extras. The visuals are
enhanced, the effects especially, though I don’t know if that is reason enough
to warrant the upgrade.
Entertainment Value:
4/10
Quality of
Filmmaking: 4.5/10
Historical
Significance: 3/10
Special Features: 0/10
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