- Actors: Anne Hathaway, Rebel Wilson, Alex Sharp, Dean Norris
- Director: Chris Addison
- Writers: Stanley Shapiro, Paul Henning, Dale Launer, Jac Schaeffer
- Producers: Rebel Wilson, Roger Birnbaum
- Disc Format: NTSC, Subtitled
- Language: English (Dolby Digital 2.0 Stereo), English (Dolby Digital 5.1), English (DTS 5.1), English (DTS-HD Master Audio 7.1), French Canadian (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
- Subtitles: French Canadian, Spanish, English
- Region: Region A/1
- Aspect Ratio: 2.39:1
- Rated: Parents Strongly CautionedPG-13
- Studio: Universal Pictures Home Entertainment
- Release Date: August 20, 2019
- Run Time: 94 minutes
There was online
outrage with the decision to turn Ghostbusters
into a female franchise. Whether it was coincidence or design, the gender
reversal of old films shifted to properties with far less of a devoted fanbase.
This meant less controversy over the repurposing of the material for female
protagonists, but it also meant far less interest. There may have been no
pushback for a gender reversal Overboard
or What Women Want, but that’s
probably because few people had little interest in the original narrative to
begin with. I’m afraid The Hustle
falls under this category, with most younger audiences unlikely to have even
heard of Dirty Rotten Scoundrels, and
fewer the one that came before. The biggest problem with the film isn’t a derivative
story, however, but the way that it loses all of its bite in an effort to make
sure a feminist message lasts, even when it contradicts the themes and
structure of the original film.
As the title
implies, Dirty Rotten Scoundrels is
about two despicable con men who make a bet to scam an innocent woman out of
her money. So when the tables are turned on them, it is poetic justice. In The Hustle, the two con men are women,
so their selfish and unlawful actions are justified by the behavior of the men
they steal from. Rather than allowing the dark comedy to thrive, the movie
instead justifies illegal action so that we can root for the women all the way
through, even tacking on a new prologue that wraps things up like only a studio
film made through a collection of executive notes could. There is even a
women-empowerment pop song playing over the credits, proving that in adapting
this film, they completely lost sight of what the original text even was.
In this female
version of the narrative, Josephine Chesterfield (Anne Hathaway) is a high
class British con woman who has a polished team to help her take out high
marks. Penny (Rebel Wilson) rips off guys in local bars by showing them a
picture of an attractive woman meant to be her sister. Both of them make a
point of stealing from men who are unsavory in their treatment/expectations of
women. Penny makes a point of only stealing from the men who look disappointed
that she is less attractive than her fake sister. The first time we see
Josephine, she is stealing a necklace from a man who has already ‘stolen’ it
from his wife. This makes them admirable even in theft, but their difference in
methods leads to a rivalry between them.
The mark to
settle their opposition is a naïve tech billionaire (Alex Sharp), who Penny
recognizes poolside in the film’s largest, most glaring plot-hole. Knowing that
he is worth a lot of money, they make a bet to see who can con him first. Using
a similar con may be the main thing this film shares in common with Dirty Rotten Scoundrels, but the film
doesn’t have the attention span or finesse required to make us care about any
of the three characters. Even the act of trying to make their actions less
rotten simply neuters the narrative. Each plot point feels more perfunctory than
organic, and the resolution in the added prologue just feels forced in a way
that managed to ruin any modicum on base enjoyment found in the first half of
the film.
The Hustle isn’t terrible, but the
quality of the filmmaking does not extend beyond the polished look of the
cinematography and production design. If only the original screenplays were
given half as much money (or were even green lit to begin with) by the major
studios, we might have had a more enjoyable summer at the movies. Even Anne Hathaway
doesn’t come out of this endeavor with more than a paycheck, and Rebel Wilson
sticks to her only gag of self-deprecating humor in replacement of any lasting
comedy or talents as an actress. In other words, wait a month and another
comedy as bland as this is likely to be released purely for consumerism.
The Blu-ray
release of The Hustle comes with a
DVD and digital copy of the film, along with the extras on the discs. The
highlight of the special features is a director’s commentary track; not because
it is that spectacular, but simply due to how underwhelming the other extras
are. There are handful of promotional featurettes with talking heads building
the film up beyond what it can deliver on.
Entertainment Value:
6/10
Quality of
Filmmaking: 4.5/10
Historical
Significance: 2/10
Special Features: 5/10
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