- Actors: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
- Directors: Joe Russo, Anthony Russo
- Disc Format: NTSC, Subtitled
- Language: English (Dolby Digital 2.0), English (DTS-HD High Res Audio), French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
- Subtitles: French, Spanish, English
- Region: Region A/1
- Number of discs: 2
- Rated: PG-13
- Studio: MARVEL
- Release Date: August 13, 2019
- Run Time: 181 minutes
In the new world
of Hollywood blockbusters, which is
essentially all the industry seems interested in pursuing these days, two types
of audiences must be considered: the average moviegoers, and the fan. When
dealing with the average moviegoer, they are often reading film reviewers and
critics because they are ignorant or undecided. They turn to the expert opinion
(which is admittedly still subjective) in order to make a decision, whether it
is deciding to see a film or coming to a decision about how they feel about the
viewing experience/end product. Fans, on the other hand, mostly already have
their mind made up; they are reading the professionals to either reinforce
these preexisting beliefs, or to disagree with them. Often they only
recognizing expertise if it is confirming their own opinion, otherwise
insisting that all bad reviews must come from a bitter failed filmmaker rather
than admitting any validity to an opinion that besmirches something they love.
So, why do I
bring this up in great detail before even mentioning the film I am reviewing?
Because to a certain degree, it doesn’t even matter if Avengers: Endgame is any good at all. When a number that large
follows a dollar sign, all of the rest is just white noise. This is why
Universal felt no shame in releasing each of the installments in the Fifty Shades of Grey franchise, even
after notoriously bad reviews from anyone with a pulse, and probably also why
Disney is currently allowing Mulan to
be used in a propaganda campaign against protestors in China. If it makes
money, nothing else matters. If a Disney princess is being used as a tool of
repression without so much as a complaint from the fanbase, is anyone really
going to give a shit about the plot-holes in Endgame?
It may sound
like I am distracted, or being too harsh, but that is simply because I don’t
see the point in ignoring the forest for the trees. Endgame marks another significant shift for Hollywood , down a path that started with Jaws and Star Wars, but has gotten increasingly out of control. It is no
longer about selling a film to a select audience, but more fittingly
considering the film we are discussing, blockbusters are now about world
domination. If they aren’t selling record tickets overseas as well as in America , films
are now often considered failures. Artistic merit counts for little, and even
Academy Award-winning filmmakers are forced to crowd fund in order to get their
projects made at all (and rarely to receive a wide theatrical release).
But what about Endgame, I can hear you asking. If you
ignore the plot-holes and contrivances, of which there are many, it is a
passable narrative only elevated by the dedication of the cast and visual
effects team. I wish the writers had given the same amount of dedication,
rather than formulating something that felt more manipulative and derivative
than creative or sincere. The fact that the final battle begins with an hour
left of the over-stuffed run-time goes to show where the focus lies in this
installment, bouncing from an over-indulgent and often illogical battle to a
forcefully sentimental and overlong prologue. Although this ending is likely to
be the fan-service material that I cannot criticize without bringing the wrath
of those who eat it up, it is the first half of the film that I was more
impressed with.
Until the introduction of a time
travel narrative, I was actually beginning to think that Endgame would be one of the best Marvel movies. Not only was time
travel a lazy way to resolve the obnoxious cliffhanger of Infinity War, it felt like a missed opportunity for nostalgia. This
was the end of an era for the Marvel films, and they could have reminded us of
the many great moments by revisiting them, but basically all we get as reminder
is a few seconds from the first Avengers
film and the worst of the Thor films.
The time travel sequences are passable, but that is a decline from the bold
beginning of the film, and one that plummets when we get into the final act.
But hey, if you like special effects, there are lots of those.
The Blu-ray release comes with
fittingly nostalgic featurettes on Robert Downey Jr., the role of Captain America , and
the character of Black Widow (a little promotion before they cram another film
from the retired superhero down our throats). More importantly to most will be
the deleted scenes (there is also a gag reel), and a tribute to someone that
actually passed away: Stan Lee. There are more extras, mostly promotional,
along with a digital copy of the movie (no DVD copy). The film looks
spectacular on Blu-ray, and you likely wouldn’t want to watch it any other way,
unless you are 4K capable.
Entertainment Value:
8/10
Quality of
Filmmaking: 6/10
Historical
Significance: 8.5/10
Special Features: 7.5/10
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