- Actors: John Heard, Lindsay Crouse, Jeff Goldblum, Jill Eikenberry, Bruno Kirby
- Director: Joan Micklin Silver
- Writers: Fred Barron, David Helpern
- Producer: Raphael D. Silver
- Format: NTSC
- Language: English (PCM Mono)
- Region: Region A/1
- Aspect Ratio: 1.85:1
- Number of discs: 1
- Rated: R
- Studio: Universal Pictures Home Entertainment
- Release Date: June 18, 2019
- Run Time: 102 minutes
Between the Lines feels as though it
must have had its finger on the pulse of the counter-culture movement of the
seventies, while simultaneously serving as an awkward reminder of how much even
the liberals and progressives of that time were politically incorrect by
today’s standards. The film follows a group of employees working at an
alternative newspaper in Boston
which is on the verge of a buyout from a major publishing company. Leaning
heavily on the idea that selling out means a lack of integrity, Between the Lines feels laughably dated
in its sensibilities (which would have been completely dismissed had the film
been made a few years later, in the 1980s), but even worse is the awful
treatment of female characters amidst the illusion of ‘free love.’ Sadder yet
is the fact that this incredibly misogynistic film was directed by the rare
female director.
An ensemble cast
of flawed characters makes up the narrative of Between the Lines, with so many characters to split the time
between that many suffer as a result. Or perhaps it is their distasteful
behavior which makes it difficult to care about many of the storylines (or any
at all, because I am hard-pressed to think of a character I enjoyed being in
the company of, besides the one Michael J. Pollard plays for simple comedic
relief), with sexual infidelity and flat-out abuse is simply portrayed as a
passionate sign of the times. If you
enjoy watching people cheat on each other while justifying their actions as
morally defensible, a majority of Between
the Lines will be up your alley, but don’t look to this film for its
depiction of journalism, alternative or not.
Because the
relationships are more important than the work in this film, we essentially
only spend time with the newspaper when it affects the relationships of those
working (and often sleeping) together. Top reporter Harry (John Heard) is
dating the publication’s leading photographer, Abbie (Lindsay Crouse), but
their unwillingness to commit to each other inevitably leads to bed-hopping
with other employees of the paper. Simultaneously, Michael (Stephen Collins),
another former writer of the newspaper, is leaving to write a book. This new
success creates jealousy with Harry and conflict with his longtime girlfriend,
Laura (Gwen Welles), who is expected to move to New York with him.
With women being
treated as property, abused (physically and emotionally), and cheated on
(although the women cheat too), it is pretty hard to believe that a woman
directed this film. There seem to be hardly any strong women, and most of the
scenes that have no men are still spent talking about them, even in the
professional setting. It is a horribly dated film and even the inclusion of
Jeff Goldblum in the cast can’t be entirely appreciated due to the sleazy
womanizing music critic that he plays. In short, this movie is just a bit too
mean-spirited and politically incorrect to survive as anything more than an
embarrassing cultural artifact.
Despite my
misgivings about the film, some saw fit to give Between the Lines an all-new restoration and Blu-ray release. There
isn’t much in terms of extras, but fans should simply be happy that a film as
dated as this was given a 2K restoration and new release. There are two
trailers; the original and a new re-release trailer. Also included is a new
interview with director Joan Micklin Silver
Entertainment Value:
4.5/10
Quality of
Filmmaking: 5/10
Historical
Significance: 3/10
Special Features: 3.5/10
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