- Actors: Steven Yuen, Ah-in Yoo, Jong-seo Jun
- Director: Lee Chang-dong
- Disc Format: Dolby, Surround Sound, Widescreen
- Language: Korean (Dolby Digital 5.1), Korean (DTS 5.1)
- Subtitles: English
- Region: Region A/1
- Aspect Ratio: 2.35:1
- Number of discs: 2
- Rated: Unrated
- Studio: Well Go USA
- Release Date: March 5, 2019
- Run Time: 148 minutes
I honestly had
no idea what to expect from Burning,
up until the credits started to roll. Although there are moments that the movie
seems to resemble others, or starts to conform to genre conventions, this may
all be red herrings and MacGuffins to the overall film experience. And I truly
believe that the experience director Chang-dong Lee intended audiences to have
is one of questions, not answers. It is fitting that the inciting incident of
the film’s narrative involves the house-sitting of a cat that never shows
itself. Many who have debated the meaning of the movie have argued the
possibility that the cat doesn’t exist at all. I believe that the point is that
the cat both exists and doesn’t exist, because the film itself feels like a
cinematic representation of Schrödinger’s cat.
But I’m getting
ahead of myself. The basic premise for the film is simple, so much that its
description doesn’t do it justice. The story is told nearly entirely from the
perspective of Jong-su (Ah-in Yoo), a detached young man struggling to find
work in modern South Korean society. While working a part time job, Jong-su
encounters a woman named Hae-mi (Jong-seo Jun), who knows him from their
childhood, despite his having no recollection of this. After a brief encounter,
Hae-mi asks Jong-su to cat-sit while she goes away on a trip to Africa .
After sleeping
together before she leaves, Jong-su becomes enamored with Hae-mi, spending more
time than needed at her place and clearly longing for her return. Unfortunately,
she returns in the company of Ben (Steven Yeun), a man that is a clear
counterpart to everything that Jong-su represents in society. Wealthy and
worldly, Ben also seems to have the attention of Hae-mi, but he seems oddly
preoccupied with Jong-su. This bizarre love triangle goes on for a portion of
the film, until a mystery slowly unfolds.
The most apt
comparison I can make to Burning
would be to say that it is somewhat like a modern Hitchcockian thriller, but
without clear answers to the mystery at the center of the narrative. It is a
slow burn at nearly two-and-a-half hours long, but the filmmaking is always
interesting. Scenes are unsettling long before it is clear why, and the
filmmaking itself is something to examine for clues. This is the type of film
that many will complain about, because very little actually occurs, but those
who really watch movies will find that there is far more than meets the eye.
Simplistic as it may be, Burning is
the type of movie that will leave you thinking for days. In short, it is a
treat for true cinephiles, while it is likely to frustrate the average viewer.
The Blu-ray
release also comes with a DVD copy of the film. The only extra is a featurette
about the characters, along with trailers. With a film this ambiguous, I’m sure
that some would have preferred a commentary track explaining some of the
intention behind it. Personally, I think it is better this way.
Entertainment Value:
8/10
Quality of
Filmmaking: 10/10
Historical
Significance: 8.5/10
Special Features: 3/10
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