- Actors: Glenn Close, Jonathan Pryce, Christian Slater, Max Irons, Harry Lloyd
- Director: Björn Runge
- Producers: Peter Gustafsson, Rosalie Swedlin, Piers Tempest, Meta Louise Foldager, Claudia Bluemhuber
- Disc Format: Closed-captioned, Color, Subtitled, Widescreen, NTSC
- Language: English
- Subtitles: French, English, Spanish
- Dubbed: Spanish
- Subtitles for the Hearing Impaired: English
- Audio Description: English
- Region: Region 1
- Aspect Ratio: 2.40:1
- Rated: R
- Studio: Sony Pictures Home Entertainment
- Release Date: January 29, 2019
- Run Time: 100 minutes
Seemingly coming
out of nowhere for most audience members, The
Wife has quickly become the frontrunner for one of the Academy Award’s
biggest accolades, despite the fact that it was in and out of theaters before
award season had even truly began. While there is only so much attention that
needs to be given to award nominations, it is telling that Glenn Close has won
several major awards for her performance, despite being in a nearly unknown
film. While at least part of that seems to be the tendency to reward a career
of performances rather than just the one nominated for, there is no denying
that Close’s performance carries the film.
Even though I’m
sure the film’s producers would have been happier had this film been a huge hit
in theaters, it actually helps the viewing experience to enter the story
knowing as little as possible. This also limits my ability to reveal the true
direction of the narrative, beyond the basic setting and characters. I will
just say this about the film’s hidden themes; they fit with this year’s
emphasis on social messages, specifically those regarding gender issues. And
so, it begins to make more sense why Close is winning awards for this film,
even if it isn’t the most impressive of her career. The attention this
performance is being given during award season seems to be making up for the
past, in more ways than one.
Though the
themes must remain somewhat hidden, the initial set-up gives nothing away. The
film begins with author Joe Castleman (Jonathan Pryce) receiving a phone call,
informing him that he will be awarded the Nobel Prize for his body of work,
much of which was created during his 40-year marriage to a former student, Joan
(Close). As the couple travel to Stockholm
for the ceremony, the film sporadically flashes back to give us glimpses of
their relationship’s beginning. Piece by piece we are able to understand the
workings of their marriage, and how crucial it has been to Joe’s career.
Despite the
supposed joyousness of the event, there are many external factors that continue
to prevent Joe from reveling in his accomplishments the way he would like.
First is the uninvited arrival of a biographer (Christian Slater) who has long
desired to write an official book on Joe, much to his annoyance. Joe also
clumsily navigates his relationship with his grown son, David (Max Irons),
whose desire to be a writer often puts him at odds with his successful and
constantly critical father. But the real troubles come from Joe’s own
shortcomings, a glutton for base pleasures. When he isn’t indulging on whatever
delicacy is offered to him, he dines on the attention of young women that fawn
over him.
The Wife is a quiet mystery that slowly
unfolds. It isn’t a mystery in the traditional sense, as there is no killer to
unveil, but there is a puzzle to solve. The mystery at the center of The Wife seems to be figuring out what
has made Joe and Joan’s relationship work for 40 years, and whether or not it
will continue. It is a simple premise, though the execution is far more
complex. If only due to the lavish setting of the film and the scope of time
the film covers, The Wife is actually
quite ambitious. Production values aside, however, The Wife is still a quiet film compared to most award contenders.
The DVD release
of The Wife contains a few special
features, all three of which help in promoting Glenn Close. It is a little
strange that so little attention is given to Pryce’s involvement in the film
within the special features. There is a featurette that exclusively looks at
Close and her character, as well as a Q&A with the actress and the author
of the book the film is based on, Meg Wolitzer. The last extra is a
conversation with the main cast members of the film.
Entertainment Value:
7/10
Quality of
Filmmaking: 8/10
Historical
Significance: 7.5/10
Special Features: 4/10
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