- Actors: Nigel O'Neill, Susan Lynch, Ian McElhinney
- Director: Chris Baugh
- Format: Dolby, Surround Sound, Widescreen
- Language: English (DTS 5.1)
- Subtitles for the Hearing Impaired: English
- Region: Region A/1
- Aspect Ratio: 2.35:1
- Number of discs: 1
- Rated: Not Rated
- Studio: Well Go USA
- Release Date: January 9, 2018
- Run Time: 99 minutes
Revenge films
seem a dime-a-dozen these days, though Bad
Day for the Cut has a few elements which help it to stand out from the
rest. First of all, there is the fact that it is set in Northern Ireland and within the criminal
underworld of Belfast,
giving it a unique flavor along with the need to turn on the English subtitles
through some of the dialogue featuring thicker accents. But even more important
than the setting is the choice to make this as much a mystery as it is a
revenge film. Our protagonist seeks more than just vengeance, but also answers
to the motivations behind the inciting violence, which keeps viewers engaged
even throughout the film’s more derivative moments.
Our protagonist
(or anti-hero, depending on your perspective) is Donal (Nigel O’Neill), a
mild-mannered middle-aged farmer living with his elderly mother in the remote
country. When a home invasion results in his mother’s brutal death, Donal sets
out to find answers. When he discovers the people responsible had come with the
sole intention of hurting his mother, Donal becomes the next target. After fending
off a second assault, Donal teams up with one of the attackers named Bartosz
(Józef Pawlowski), a young Polish man who was blackmailed (by a fierce Susan
Lynch as the film’s lead villain) into participating. Donal discovers that the
same people who killed his mother are also holding Bartosz’s sister (Anna
Próchniak) hostage, and the pair set out to take down the criminal
organization, set her free, and find the reason for his mother’s murder.
The answers,
however complicated they may be, are fairly predictable at a certain point in
the narrative. What keeps the film engaging, even beyond the mystery at the
center, is the darkly comedic tone applied to the violence in the film. While
this never diminishing the impact of the violent sequences, it adds memorable
layers to what might have otherwise been a straightforward thriller. Calling
this the Fargo
of Belfast may
not be the perfect description, but it isn’t too far off. No matter how
gruesomely graphic some of the sequences of violence may be, the tinge of humor
keeps it from becoming overwhelmingly bleak, while the comedic edge is also
never used to diminish the emotional impact of the narrative. It is a delicate balancing act that director
Chris Baugh handles with confidence befitting a seasoned filmmaker. Although
Baugh’s screenplay (co-written by Brendan Mullin) never rises too far above
average, the director proves himself one to watch with this theatrical feature
film debut.
The Blu-ray
doesn’t have many amenities to make the high definition release a necessary
upgrade, especially since it is quite noticeably a smaller budget film in many
places. This is not to say that it is an ugly film, but some of the scenes are
quite dark and difficult to see, and high definition does little to improve
that. The unpolished look of the movie seems to go with the exploitation elements
of the narrative, and DVD would not detract from this experience any more than
the Blu-ray improves upon it. Cinematography aside, however, the violence in
the film never seems to indicate a lower budget than was necessary. It appears
that the filmmakers had their priorities in check, especially considering the
audience that this type of film is best suited for.
Entertainment Value:
8/10
Quality of
Filmmaking: 7/10
Historical
Significance: 6.5/10
Special Features: 0/10
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