Woody Allen has
nearly created an entire sub-genre of comedy with the consistency that he has
retained many of the same narrative and stylistic choices over the years, even
since his shift from New York to Europe as a regular shooting location. Allen nearly has a
Japanese mentality to filmmaking, seeming to long for consideration as a whole,
as one would do with the work of Yasujiro Ozu, and the breadth of his work
makes this entirely plausible. In theory, this will always make Allen a
filmmaker of incredible significance, though I hardly anticipate upcoming
releases from him with any amount of excitement. Magic in the Moonlight fits perfectly in this filmography;
seemingly effortlessly produced with the fluidity of a well-oiled machine,
though void of any innovation. Allen may be more high-brow than the average
romantic comedy, but he has come to be every bit as predictable.
Although he is
an acclaimed magician with a well-known (and extremely racist) onstage persona,
Stanley Crawford is a lifelong cynic and skeptic of any real magic in the
world. When a friend and colleague asks him to help disprove a psychic that has
enraptured a wealthy family, Stanley
Those who are
not mildly amused by the frivolity of the narrative are likely to be offended
by the off-handed condescending tone the film takes on the matter of religion.
God is placed in equal consideration with the discussion of magicians, psychics
and ghosts. While I could have done without the pompous attitude inserted into
these sequences, I had much greater issue with the off-putting age difference
between the two leads. After watching Magic in the Moonlight and Birdman, I am
desperate to see Emma Stone return to roles with romantic leads her own age.
The DVD release
of Magic in the Moonlight includes a behind-the-scenes featurette, as well as
footage from the red carpet of the Los
Angeles
Entertainment Value:
7/10
Quality of
Filmmaking: 7/10
Historical
Significance: 7/10
Special Features: 4.5/10
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