Actors: Zoe Kazan; Ron Livingston; Jake Johnson; John Lynch; Shae D'Lyn
Director: Jenée LaMarque
Writer: Jenée LaMarque
Format: NTSC
Region: All Regions
Number of discs: 1
Studio: SPE
DVD Release Date: June 3, 2014
Run Time: 95 minutes
Kazan stars as twins Laurel and Audrey, two
sisters who share little other than their looks. Audrey has left their
small-town home to become a real estate agent in the city, while Laurel stays home, dressing as their deceased mother and
taking care of their father. After an all-too convenient accident leaves Audrey
dead and unrecognizable, and Laurel donning an
all-new make-over in Audrey’s image which nobody has seen, everyone naturally
assumes that it is Laurel who passed in the accident. Laurel
takes advantage of this misunderstanding, going to her own funeral and taking
over her sister’s life in the city.
The Pretty One is one good casting
choice away from being completely unsalvageable, and surprisingly it isn’t Zoe
Kazan. Kazan does a perfectly convincing job playing two different
personalities, but that’s not nearly enough to save the film from a horribly
over-confident and under-written screenplay from first-time director Jenée
LaMarque, who has the obnoxious gall to announce herself as an auteur in the
opening credits of her first feature. Had this film been given a rewrite (preferably
by a more seasoned screenwriter) and a completely different director, there might have
been a chance for the cast to help overcome the distasteful premise.
While Laurel is a meek girl with a sudden propensity for
habitual lying, we discover that her sister Audrey was little more than a
pretentious bitch. While sleeping with her boss’s
husband (Ron Livingston) just so long as he has no intentions of anything more
than sex, Audrey was also in the process of terrorizing her neighbor and
tenant, Basel
(Jake Johnson), in an attempt to kick him out. Laurel
quickly hits it off with Basel ,
which leads to the film’s only successful moments, however predictable and
cliché they may be. Credit is wholly due to the chemistry between Kazan and Johnson, as
well as “The New Girl” star’s ability to make even the most ridiculous material
feel believable.
I’ll admit it; I
would pretty much watch anything that Johnson is in. I find his comedic timing
to be spot-on, his delivery charming and believable with ease, and he may have
single-handedly saved this film for me. Kazan
comes alive when given the proper scene partner, as was previously seen in Ruby Sparks. I’m afraid she is destined
to play every quirky cute role that comes along, but that may not be such a bad
thing if she is paired with more actors like Johnson.
The DVD includes
a featurette about the visual effects, which seems a bit pointless to me.
People having been playing their own twin for a long time in film, and the
effects are nothing cutting edge that needed this kind of attention.
Entertainment Value:
7/10
Quality of
Filmmaking: 4/10
Historical
Significance: 4/10
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