In the golden age of Hollywood cinema musicals seemed to have the most
extravagant budgets, and these films were a huge success as well as a grand
spectacle, but it wasn’t the sets and the costumes or dozens or chorus dancers
that made the films musicals. Traditionally the songs helped to advance the
plot, telling part of the story or developing the character within the song,
and within these terms Once is a true
musical. While there are essentially only two important characters and they are
the only ones to sing, these songs help to advance the story in many ways,
often having nothing to do with the music itself. The male protagonist is
physically unable to speak about his heartbreak in one particular scene in the
film, so instead he sings about it with improvised songs on the back of a bus. Despite
a low budget, shaky camera work that often goes out of focus, and a storyline
so simple that it nearly hits the same note for 86 minutes, Once is clearly one of the greatest
modern musicals in all the ways that matters.
Glen Hansard of Irish rock band
Frames plays an unnamed struggling musician playing music on the crowded
streets of Dublin
when he isn’t helping repair vacuum cleaners in his father’s repair shop. Once
is essentially a boy-meets-girl tale, and the girl is just as purposefully
unnamed. Played by Marketa Irglova, the girl is a Czech woman who hears the man
playing on the street and they develop a relationship. She is struggling even
more than the musician, trying to feed both her mother and child, meanwhile
passionate about playing the piano. Without the means to own one of her own,
she visits a local shop to play the ones for sale. Each of them have such a
love for music that it brings them together even though they have very little
else in common, and this bond is immediate from their very first time playing
together.
Glen Hansard and Marketa Irglova are
one-half the incredible combination in this film, effortlessly portraying
musical artists, and always showing their process in their mannerisms to make
the moments of conception entirely believable. This is simply their performance
as actors, whereas their performances as musicians are beyond words or
description. The music is so simple yet extremely heartfelt and personal that
it begins to feel like a warm and comforting blanket to shield from the
inevitable cynicism towards life. The other half of what makes this film so
honestly touching without being at all flashy is the simple words and direction
by filmmaker John Carney. All of the simple sequences of the seemingly average
love story go to great lengths to make the film as much about the love of
music. Once shows brilliantly that just as universal as love is the love of
music, time after time helping the nameless characters in the film to grow.
This Blu-ray release carries over the
special features from the DVD including two commentary tracks, each with
writer/director John Carney and actors Hansard and Irglova. One of the
commentaries is about the film while the other is a musical commentary. This is
only for the songs in the film, so it is select commentary, but extensive
coverage just the same. There is also a making-of featurette and “More Guy,
More Girl” goes into great examination of the extremely simple plot so elegantly
played out. There are also a few webisodes set to the bus music. The high
definition presentation of the film only highlights some of the shortcomings in
the filmmaking, though this are just as easily dismissed with the assets
clearly outweighing any budgetary limits.
Entertainment Value:
10/10
Quality of
Filmmaking: 8.5/10
Historical
Significance: 8/10
Special Features: 9/10
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