Seconds makes a
perfect companion paranoia piece to auteur filmmaker John Frankenheimer’s
earlier masterpiece, The Manchurian
Candidate. The storylines share little in common, though there is a similar
mood and series of themes running through the dissimilar narratives. Both
involve are shot in stark black and white, with purposefully feverish camera
angles, and both stories rely on covert scientific experiments which force our
protagonist to question the reality of his existence. These are science fiction
films which make use of a growing distrust in government and authority in the
1960s.
Seconds has the
type of plot which could easily be made today as a large-scale Hollywood blockbuster, complete with as many chase
sequences as the narrative could hold. The way that Frankenheimer approaches it
is much quieter, however, combining the creativity and mysteriousness of a
“Twilight Zone” episode with the artistic patience of John Cassavetes. The film
follows the dark path taken by a tired old bank executive named Arthur Hamilton
(John Randolph), who late in life realizes that he may have been too safe with
his choices. Given the opportunity for a second chance, Hamilton is contacted by a friend telling him
about a company with the ability to use science in order to give the old man a
new body.
After bringing Frank Sinatra acclaim
with The Manchurian Candidate,
Frankenheimer makes another revelatory casting decision by placing Rock Hudson in
the role of Arthur Hamilton’s new persona, Antiochus Wilson. Whereas the
company that gave him this opportunity had planned for Hamilton
to use Wilson
to do thing differently, the life of quiet brooding changes only in location.
Even with a new job as a painter, complete with a failsafe plan that removes
any pressure for success, Wilson is even more
maladjusted than Hamilton
was, leading to a revelatory final twist which adds a chilling context for the
entire film.
Frankenheimer’s filmography is
remarkable for many reasons, one of which is the mere length of time he has
continued to make solid suspense and thrillers, but his paranoia films from the
1960s are the solid foundation of his illustrious career. The Criterion Blu-ray
release for Seconds includes a newly restored 4K digital film transfer, with an
uncompressed monaural soundtrack and optional director’s commentary track.
Additional special features include a new interview with Alec Baldwin, a new
making-of program about the film, as well as an excerpt from an older
behind-the-scenes program for the film and an interview with Frankenheimer from
the early 1970s. There is the usual booklet insert with an essay by film critic
David Sterritt, as well as a new visual essay by R. Bartin Palmer and Murray
Pomerance, which is included on the dic.
Entertainment Value:
7/10
Quality of
Filmmaking: 10/10
Historical
Significance: 8/10
Disc Features: 9/10
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